Table of Contents Acknowledgments Seán Allan (University of Warwick): Foreword: Heinrich von Kleist and His Legacy Jeffrey L. High (California State University, Long Beach): Introduction: Heinrich von Kleist’s Legacies Karl J. Fink (St. Olaf College): Kleist’s Justice beyond Tears: Kohlhaasian Manifestos after Kleist Jeffrey Champlin (Bard College): Reader Beware: Wild Right in Kleist’s Michael Kohlhaas and Eichendorff’s Das Schloß Dürande Amy Emm (The Citadel): The Legacy of Kleist’s Language in Music: Schoeck, Wolf, Bachmann, and Henze Tim Mehigan (University of Queensland): The Process of Inferential Contexts: Franz Kafka Reading Heinrich von Kleist Curtis Maughan (Vanderbilt University) and Jeffrey L. High (California State University, Long Beach): Like No Other? Thomas Mann and Kleist’s Novellas Jennifer M. Hoyer (University of Arkansas): A Michael Kohlhaas for the Post-Holocaust Era: Nelly Sachs’ Eli. Ein Mysterienspiel vom Leiden Israels Markus Wilczek (Harvard University): The Puppet Inside:Reading Stuffing in Heiner Müller’s Kleist Carrie Collenberg-Gonzalez (Longwood University): Kleist in the Reception of the Red Army Faction Daniel Cuonz (Universität St. Gallen): Robert Walser, Christa Wolf, and Kleist on the Move: Portraits of the Writer on his Way to Writing Bernd Fischer (The Ohio State University): What Moves Kohlhaas? Terror in Heinrich von Kleist, E. L. Doctorow, and Christoph Hein Friederike von Schwerin-High (Pomona College): Causality and Contingency in Kleist’s “Das Bettelweib von Locarno” and Judith Hermann’s “Sommerhaus, später” Mary Helen Dupree (Georgetown University): “The Glazed Surface of Conviction”: The Motif of the Broken Jug in Kleist’s Der zerbrochne Krug and Ian McEwan’s Atonement Marie Isabel Schlinzig (University of Oxford): Artistic Reincarnations of the Author and his Texts: Adaptations of Kleist and Henriette Vogel’s Double Suicide Hans Wedler (Bürgerhospital Stuttgart): No Home on Earth: Suicide in the Narratives of Kleist and David Foster Wallace Index